“The Woman in the Walls”

Woman with dark hair holding a large knife walking through a dim, damaged hallway
Image generated via AI.

Evan had the house to himself for the night — or so he thought. His wife, Claire, was “working late,” which usually meant spreadsheets, coffee, and her headphones on until midnight. Perfect conditions for a horror marathon. He dimmed the lights, queued up a low‑budget slasher called The Woman in the Walls, and settled in.

The movie opened with a grainy shot of a masked woman stalking a man through his own home. Evan smirked. “Classic,” he muttered. But then the killer spoke. Just one line. A whisper. A tone he knew. A tone he’d heard a thousand times when she teased him, when she scolded him, when she leaned in close to say goodnight.

Claire’s voice.

He sat up straighter. “No way,” he said, laughing nervously. Maybe the actress just sounded like her. Lots of people had similar voices. Right? Then the killer tilted her head, that same little tilt Claire did when she was pretending not to be annoyed.

Evan’s smile faded.

He grabbed the remote and rewound the scene. The killer stepped into the light, mask half‑shadowed, but the jawline… the posture… the way she tucked her hair behind her ear… His stomach dropped. It was Claire. Not “looked like Claire.” Not “reminded him of Claire.”

It was Claire.

He paused the movie. The screen froze on her silhouette, knife glinting. His phone buzzed. A text from Claire. “Hey, babe. You watching something scary tonight?” Evan swallowed hard. His thumbs hovered over the screen. Another text came through before he could reply: “I hope you’re enjoying the movie.” His blood ran cold. He hadn’t told her what he was watching. He hadn’t told anyone.

The paused image on the TV flickered — just for a second — as if the actress had moved. Evan blinked. The figure on the screen was no longer in the same pose. She was closer. Facing him. Head tilted. Smiling.

His phone buzzed again. “Don’t turn around.” Evan froze. The room felt suddenly smaller. The air behind him shifted, the faintest whisper of movement, like someone stepping out from the shadows. Slowly, trembling, he turned. Claire stood there.

Evan stared at Claire — real Claire — standing behind him in full killer costume, mask dangling from her fingers as she’d just come home from a PTA meeting with a very questionable dress code.

“Surprise!” she chirped.

He blinked. “You… you’re the killer?” She sighed dramatically. “Ugh. ‘Killer’ is such a harsh label. I prefer ‘independent contractor specializing in population reduction.’” Evan’s jaw dropped. “That’s… worse.” Claire shrugged. “Look, everyone needs a hobby. You collect Funko Pops. I collect… souls.” “That is NOT the same thing.” “Tell that to the credit card bill.”

The TV unpaused again on its own, showing on‑screen Claire raising her knife. Real Claire raised hers too — but instead of slashing, she pointed it at the TV like a disgruntled director. “Honestly, they edited out my best scene,” she muttered. “I improvised this whole monologue about the socioeconomic pressures of modern villainy. Very artsy. Very Sundance.”

Evan swallowed. “So… are you going to kill me?” Claire looked offended. “What? No! You think I’d murder my own husband? Who would reset the Wi‑Fi? Who would explain taxes? Who would open jars?” Evan exhaled in relief. He opened his mouth to respond, but the TV flickered again — this time showing a teaser for The Woman in the Walls 2: The Husband Strikes Back.

Evan frowned. “Wait… I’m in the sequel?” Claire grinned. “Yep! I pitched you as the comic relief. You scream funny.” “I do NOT scream funny.” She pulled out her phone, tapped a button, and a recording played: Evan shrieking like a malfunctioning tea kettle. He covered his face. “Delete that.” “Absolutely not. It’s going in the trailer.”

The lights flickered ominously. The house groaned. A shadow moved across the wall. Evan tensed. “Uh… Claire? Was that you?” She shook her head. “Nope. That’s the other killer.” “The WHAT?” “Oh, relax,” she said, patting his shoulder. “It’s Hollywood. There’s always a twist.” The shadow grew larger. Closer. Claire whispered, “If we survive this, you’re making popcorn.”

The Day the Penny Got Fired

Man resembling former president at desk with animated walking penny figure
Image generated via AI.

The trouble began at exactly 9:02 a.m., when Penny Lincoln Copperworth III, a 2014‑minted, slightly scuffed but proud one‑cent coin, was summoned to the Oval Office.

Penny clinked nervously across the Resolute Desk as President Trump leaned forward, hands steepled, expression serious. “Penny,” he said, “we need to talk about your performance.” Penny gasped. “Performance? Sir, I’ve been in circulation for twelve years. I’ve survived washing machines, couch cushions, and a toddler who tried to eat me.” Trump nodded. “Tremendous résumé. Really tremendous. But the economy’s changing. People aren’t using you anymore. You’re… well… underperforming.” Penny’s rim quivered. “Underperforming? I literally am the economy. I’m money!” “Technically,” Trump said, “you’re one cent. And between us, people keep leaving you in parking lots. That’s not a good sign.” Penny tried to protest, but Trump slid a tiny pink slip across the desk.

You’re fired!

The penny let out a metallic squeak. “But don’t worry,” Trump added. “I’m promoting the nickel. Big things happening for the nickel. Big, big things.”

Penny rolled dramatically off the desk, muttering about inflation, disrespect, and how quarters always got special treatment. By noon, Penny had already updated its résumé, applied for a position in a wishing fountain, and started a podcast titled “Making Cents of It All.” And honestly? It was a hit.

The Hardest Decision

Person standing on city sidewalk holding illuminated Pizza Planet box
Image generated via AI.

Travis froze in the hallway, caught between two equally powerful gravitational forces: the smell of his favorite sausage, onion, and green pepper pizza drifting from inside the elevator, and the presence of the woman who had just stepped up beside him, radiant, calm, and, if he wasn’t imagining it, smiling at him. She had just stepped off the other elevator.

The elevator chimed. The doors began to slide shut.

Inside, on a small table someone had inexplicably left behind, sat the pizza box. His pizza box. One half of his order that he had waited forty minutes for and fantasized about during the entire elevator ride back down to the lobby, to ask the concierge where his wings were. When he accepted the order from the delivery guy, he was so hungry that he hadn’t noticed the wings were missing. The cheese still bubbled. The crust glistened. It was the kind of pizza that made grown men rethink their priorities.

But then there was her.

She stood just outside the elevator, dark hair put up for an evening out on the town, eyes warm and curious. She wasn’t just beautiful; she had that presence that made the world feel a little quieter, a little more intentional. She looked at him like she was about to say something. Maybe ask something. Maybe invite something.

The elevator doors narrowed to a slit.

Pizza.

Woman.

Pizza.

Woman.

His soul split cleanly in half.

In the final second, Travis made his choice.

He stepped forward, not into the elevator, but toward her.

The doors sealed shut behind him with a soft ding, carrying his beloved pizza away forever.

He exhaled, half‑heartbroken, half‑hopeful.

She tilted her head. “You okay?”

He nodded. “Yeah. I think I just made the hardest decision of my life.”

She laughed, bright and musical. “Well… by the end of the night, I hope you will think it was worth it.”

Travis smiled, stomach growling in protest. “I really hope so, too.”

And as they walked through the lobby together, he realized something surprising. For the first time in his life, he didn’t miss pizza.

Aisle 13

Dark and eerie supermarket aisle 13 with a lone figure and shadowy figures in the background
Image generated via AI..

There was a grocery store on the edge of town—one of those older places with flickering lights, humming freezers, and a parking lot that always felt a little too empty after sunset. Locals whispered about it, but only in half‑jokes, the way people talk about haunted houses they don’t really believe in.

But everyone agreed on one thing:

You never went down Aisle 13.

Not twice.

Not if you wanted to come back.

It started with small things. A teenager grabbing chips. A tired mom looking for canned soup. A night‑shift worker picking up a frozen dinner.

Security cameras showed them walking in.

None showed them walking out.

The footage always ended the same way:
They turned into Aisle 13…
and then the camera glitched into static.

Management blamed “electrical issues.”
The employees blamed “bad wiring.”
But the town blamed something older.

Something hungry.

Aisle 13 didn’t appear on the store map.
It wasn’t between 12 and 14.
It wasn’t anywhere.

But sometimes—only sometimes—
a narrow aisle would appear where the seasonal display should’ve been.
The shelves were tall, too tall, stretching up into shadows the ceiling lights couldn’t reach.

And the products on the shelves were wrong.

Cereal boxes with no labels.
Cans with no expiration dates.
Jars filled with something that looked like meat but pulsed, as if it were breathing.

People said the aisle smelled like dust and cold breath.

Others said it smelled like the inside of a grave.

One man—an older janitor—claimed he went down Aisle 13 and made it back.
He didn’t talk much afterward.
But when he did, his voice shook like a shopping cart with a broken wheel.

He said the aisle didn’t end.
It stretched on and on, longer than the building, longer than physics should allow.
And the shelves whispered.

Not words.
Just the sound of something moving behind the boxes.
Something that crawled.

He said he heard footsteps behind him, soft and deliberate, matching his pace.

When he turned around, the aisle behind him was gone—
replaced by a wall of shelves that hadn’t been there before.

He ran until his lungs burned.
He didn’t remember escaping.
He only remembered waking up in the parking lot, clutching a receipt for items he never bought.

The timestamp was from three hours after he entered.

He swore he was inside for days.

The store is still open.

People still shop there.

And sometimes—late at night, when the store is quiet, and the lights buzz like insects—
Aisle 13 appears again.

Employees say they hear carts rolling on their own.
They hear whispers from the shelves.
They hear footsteps that don’t match anyone in the building.

And every few months, someone goes missing.

The cameras always show the same thing:

A person turning into Aisle 13.
A flicker of static.
And then nothing.

Just an empty aisle.

Waiting.


When the grocery store finally closed, the town breathed a shaky sigh of relief.
The building was boarded up.
The lights were cut.
The parking lot was fenced off with rusting chain‑link.

But everyone knew the truth:

You can’t shut down something that was never alive to begin with.

The last employee out—an assistant manager named Carla—swore she heard someone whisper her name from inside the darkened aisles as she turned the key.
Not a voice she recognized.
Not a voice that sounded human.

She didn’t look back.

But the next morning, the padlock was on the ground, snapped clean in half like a wishbone.

No one claimed responsibility.

No one wanted to.

For a while, nothing happened.

Then the reports started.

– Strange lights

People driving past at night said they saw flickers inside—like the overhead fluorescents were trying to come back on, even though the power had been cut.

– Shadows moving

Not people.
Not animals.
Something taller than the shelves, gliding between them.

– Carts rolling

Even though the doors were locked, carts were found scattered across the parking lot every morning.
Some upright.
Some tipped over.
One with deep scratches along the handle, as if someone—or something—had gripped it too tightly.

The disappearances didn’t stop when the store closed.

They just changed locations.

People who had once walked down Aisle 13—those who escaped, those who barely made it out—began reporting strange things in their homes.

A narrow hallway that seemed longer at night.
A closet that felt deeper than it should.
Shelves in the garage that whispered when the lights were off.

One woman said she opened her pantry and found a can with no label, sitting right in the center of the shelf.

She didn’t buy it.
She didn’t touch it.
But the next morning, it was gone.

And the shelf behind it was… deeper.

Like the wall had moved back.

The city eventually sent a demolition crew to tear the building down.

They lasted twenty‑three minutes.

The foreman ran out first, screaming that the aisles were rearranging themselves.
Another worker stumbled out behind him, covered in dust and shaking, saying the shelves were “breathing.”

The third worker never came out.

When the police entered, they found his hard hat in the middle of the floor.

And next to it, a receipt.

Timestamped for the exact minute he vanished.

The items listed were:

  • 1 unlabeled can
  • 1 jar of something “moving”
  • 1 customer

The total was $0.00.

The demolition was canceled.

The city fenced off the property.

But every so often, someone cuts through the fence.
Teenagers.
Urban explorers.
People who don’t believe the stories.

Sometimes they come back.

Sometimes they don’t.

And sometimes—late at night—drivers passing by swear they see a faint glow inside the boarded‑up building.

Like the lights are flickering on.

Like the store is opening for business again.

Like Aisle 13 is waiting.

Only God

“God, you want me to do what?”  What in the world does a kid from Oklahoma know about hosting a writer’s conference?  I mean, I have been to a few, but put one on?  One thing I have learned, the hard way, is simply be obedient and do what God is telling you to do, whether you know how, or not!   Truth is, sometimes it’s better if you don’t know what you are doing, because then you are more likely to rely on God.

So, for the last several months my neighbor, Janice Buswell and I have come together, fasted and prayed, listened to the voice of God, developed a writer’s conference, built a website, and formed a company. I give you, “Experience Writing”.

At the conference, Janice Buswell, Jane Rubietta, Tara Lynn Thompson, yours truly, and the legendary, Jared Buswell will share what the writing experience can be, could be, and should be.  Through our combined journeys we will share the truth concerning publishing.  There are a lot of people who will tell you how to write, what to write to be successful, and what they feel is the only path to getting published, but each writer needs to discover their own story, and find the personal method to put that story on paper and present it to the world, who is just waiting to read it.

If you are a writer, or have ever thought about getting that story in your spirit out then you should consider attending the Experience Writing Conference.  All the important information is included in the website:

expwriting.com

As Jared Buswell would say, “It’s going to be epic!”

Copyright © 2021 Mark Brady.  All rights reserved.